Showing posts with label Phenomenal. Show all posts
Showing posts with label Phenomenal. Show all posts

Monday, January 16, 2017

Latter Ladders

All right Stuart, do you want the ladder or the rope?
I'll have the latter, Ace.
Here's the ladder.
No, I want the latter of the two.
What? I gave you the ladder of the two. I'll carry the rope.
Well I want the rope!
Then why did you ask for the ladder?
I didn't! I asked for the latter.
No, you just asked for the rope!
Because the rope is the latter!
No, the ladder is the ladder!
What are you talking about Master Ace!?
Listen, it's very simple Stuart. This here's a ladder and this is the rope.
Okay, got it.
So do you want the ladder or the rope?
I'll have the latter.
All right, then. Here's the ladder.
But I wanted the rope!
Then why'd you ask for the ladder?
I didn't, I asked for the latter!
That's what I said!
No, you said ladder!
That's right. Now then, position the ladder right there.
Why I oughta--
Good. Now we'll each climb up.
Fine.
Do you want to climb the ladder or the rope, Stuart?
I'll climb the latter.
Very well then, I'll climb the rope.
What are you doing that for! I said I wanted to climb the rope!
No, you said you wanted to climb the ladder!
Latter!
Exactly. So I'm going to climb the rope.
No, I am!
Fine, you climb the rope and I'll climb the ladder.
Good.
All right, do you want to pack the ladder out of here, or the rope?
I'll carry the latter.
You sure? It's heavier.
What are you talking about? The latter's way lighter than the ladder.
What? the ladder weighs the exact same as the ladder!
Hey, what are you talking about?
Ugh. Ok, do you want the ladder or the rope? We need to get out of here.
I'll take the latter.
Are you sure? It weighs more.
No, the rope weighs less.
That's what I'm saying.
Gak! Master Ace. I'll take the rope.
Thought you wanted the ladder.
I do want the latter, that's why I'm taking the rope.
If you want the ladder then take the ladder.
But I don't want the ladder.
Then why do you keep asking for it!?
I don't! I keep asking you to hand the rope.
Well here's the rope.
Thank you. Was it that hard to give me the latter?
Now wait a minute, I didn't give you the ladder.
Yes you did, I'm holding it right here!
That's the rope.
I know!
All right, are you happy with the rope?
Yes. I asked for the latter and I got the latter didn't I? Why wouldn't I be happy?
Because that's the rope! You asked for the ladder and got the rope!
But I didn't want the ladder, I wanted the rope.
Okay, well you have the rope.
Yes I do.
Then what'd you go asking for the ladder for?
I never asked for the ladder, I asked for the rope.
What do you mean you never asked for the ladder? You asked for it a million times!
No, I asked for the latter--
That's what I'm saying!
And I got the latter.
That's the rope!!
I know this is the rope!
Then why did you ever call it a ladder?
I never called the rope a ladder! That would be stupid.
I know! But you keep doing it anyway.
Keep doing what?
Asking for the ladder.
Of course I keep asking for the latter! I want the rope don't I?
If you want the rope, then why do you ask for the ladder?
Because the latter is the rope! I keep trying to tell ya.
The ladder is not the rope! I keep trying to tell ya!
I know the ladder isn't the rope! That's why I asked for the latter instead of the ladder!
Why on earth would you want a ladder instead of a ladder!?
I don't want the ladder instead of the ladder, I want the rope instead of the ladder!
Then why keep asking me to give you the ladder?
I didn't, I asked for the rope.
Gak! Nevermind. You can carry both of them, stooge.
But I only wanted to carry the latter.
Then I'll take the rope.
You take the ladder, I'll take the rope.
Okay, I'll take the ladder.
Good.
Gak! Let's just get out of here.
Good.
When we get back to the time travelling pogo sticks we have somethings we need to do.
Like what?
Well, do you want to fix the navigation or fill out the paperwork?
The former.
You want to deal with the forms? Fine by me, I'll do the navigation.
But I wanted to do the navigation!
Then why did you ask for the forms!?
I asked for the former!
I kno--Oh. I see.

ACE & Stuart: Reloaded

By: Jim Blow

All new Monday at 8/7 central on the podcast:
On The Prowl With Jim Blow

Monday, May 30, 2016

Talk talk

The following is an Excerpt from an ecclesiastical speech I presented, including excerpts from the religious text of the bible: John 17



World War Two. Prayer. Goliath. Us. What do these things have in common? They’re all part of a list.
Now I want to talk more about this idea of lists. Specifically, a list that saves people.


In World War Two there was a list like the one I’m describing. It was called Schindler’s List. Now this guy named Schindler ran a company in Germany. The factory he ran made ammunition that was vital to the Nazis. Except Schindler wasn’t really making ammunition, he was helping refugees to escape. Schindler would deliver lists to guards with names on it. These names belonged to refugees. He said that he needed these certain people to keep his factory running. So the Germans gave him the people on the list to help fun the factory. Then Schindler helped the people escape, and delivered new lists. His was a list that saved lives.
(side note: there's a movie made of Schindler's endeavor. (called Schindler's List) and it's worth it to watch)

There are lots of great lists. Lists at the Temple. Lists like the Book of Life. From these two examples alone, I hope a picture has been painted in your mind about the importance of lists. This is awesome.

All right, another important list. Let’s turn to the scriptures. A very good place to start. John 17 in the Bible. To really appreciate the list described in Christ’s Intercessory Prayer at the Garden of Gethsemane, I’m going to fill a little bit of context.

Close your eyes...or just imagine. It’s peaceful. Quiet. And you’re walking through a beautiful and solemn garden. Then you see a man. There are other people with him. But you recognize the man as Jesus Christ. The son of God. You Savior. And mine. Jesus Christ is before you in the Garden of Gethsemane. Or rather, you’re there with him.
Bidding farewell to his apostles, asking them to stand and wait these final hours, He moves forward to pray alone. Found in verse four of John 17 is--and I’m paraphrasing--Our brother talking with Our Father. He says, “Hey...I’m done. I finished the Work you had for me.”
When we finally go, don’t we all want to be able to say that we, too, finished the mission?

This is leading up to the prayer, and the burden about to be loaded onto the shoulders of our Savior. Spoiler Alert, after the prayer Christ will be betrayed and move literally into the darkest hours. But besides all this pain--which, mind you, the Lord is knowingly walking into--Besides all that, and the ordeal He’s about to go through in the garden, we find ourselves back where my talk started.
With lists.

Again I’m paraphrasing the next several, meaningful verses as Christ prays, “I’m about to go. But there are people that I’m leaving behind. Watch over my friends, who are just outside the garden. Watch over those faithful followers. Help those along that did heed my word. And bless those that will heed thy word.”
Are we on this life-saving list?
Verse nine: I pray for them. I do not pray for the world, but for the ones thou have given me. Because they are yours.

Earlier I mentioned Burdens, specifically the great burden Christ has undergone. The burden of our sins. The physical burden of the cross on his back, the nails driven into his body, and the crown of thorns placed harshly upon his head.

Oh when we hear about this, we cringe and worm in our seats. Crucifixion was a nasty business. And the Romans perfected it to administer pain and agony.

Everybody is going through trials right now. Everybody has their problems. And when we get a glimpse into the trials another is going through, we weep for them. Sometimes we even wish we could take the pain from them. On the road to Mount Doom in Mordor, Sam-wise gamgee to his master, Frodo Baggins, says, “I can’t carry IT--being the one ring of power (and horrible burden)--I can’t carry it for you, but I can carry you.”

We can’t take burdens away, but we can lift up the people who bear them.
Our Heavenly Father and Jesus Christ are one in purpose. We can join them in that purpose.

So how do we stand as witnesses? What are we to do? How can we stand as a light upon the mountain, when those in the valley below are ignorant of even the mountain’s very existence?

But there’s still hope. There always is with Christ on our side. Someone once said, “This is part of the infinite goodness of God, that he should allow evil to exist, and out of it produce good.”

It is possible, I promise. My pal David in the Bible illustrates this.
In a way, all of us has a Goliath to face. For some, shyness may be their Goliath. For others, education might be a Goliath. For David, Goliath was a very big, dangerous man, who wanted to kill young David.

But no matter who your Goliath is, isn’t it comforting to know you’ve really already beaten him. If we clad ourselves in the armor of God, armor that is stronger and stronger every time you do good, isn’t it great to know that you're part of an army that has already won the battle?

Can’t we fight. Stand as a light. Love our Father in heaven. And face the Goliaths of life?
I’m telling you that you can.

If nobody’s looking up at your light on the hill, pull out your trumpet and shout!

Guys! Life is made up of stories. Which are you telling?

Jesus Christ has a List. There’s a spot on there for you. For me. For everybody!
This list saves lives. Why wouldn’t you want to be on it?

In this honest, truthful Prayer, Jesus pleads with Heavenly Father on our behalf. He prays for his friends.

Verse 12: While I was with them in the world, I kept them in thy name: those that thou gavest me I have kept, and none of them is lost, but the son of perdition; that the scripture might be fulfilled.

Verse 15: I pray not that thou shouldest take them out of the world, but that thou shouldest keep them from the evil.

Verse 20: Neither pray I for these alone, but for them also which shall believe on me through their word;


World War Two. Prayer. Goliath. Us. What do these things have in common? They’re all part of a list.
Now I want to talk more about this idea of lists. Specifically, a list that saves people.

That can save us, if we so desire.

Who’s on your list?

I want to conclude with Verse twenty six of John 17
“And I have declared unto them thy name, and will declare it: that the love wherewith thou hast loved me may be in them, and I in them.”

Thursday, May 19, 2016

Water Difference

The difference of Water Bodies

Jim Blow


puddles ponds
streams rivers
lakes oceans

It's small. Can you step across it?
If yes, it's a puddle.
If no, pond.

It's long. Can you step across it?
If yes, it's a stream.
If no, it's a river.

It's big. Can you see across it?
If yes, it's a lake or sea
If no, it's an ocean


But is it a sea or lake? Are these accurate? What about other bodies of water? Helllllppppp!

It's water. Does it really matter, anyway?

To me there are only a few questions that matter:

Drink or not.
Swim or not.

Thursday, March 17, 2016

Happy Happenings

"Are good things happening because I'm happy, or because I'm happy, good things are happening?"
--Jim Blow

We've all heard--and if you haven't, I'm telling you now--that attitude and outlook is everything. There's a myth, even, that our mood is more powerful than can imagine.

The idea is, that if you are happy and optimistic, you'll see events as happy, and only see the best side of an event. If you only see the best side of the event, then you can only assume it's a good event. This is like saying you're brother is your favorite, when you only, in fact, have one brother.

So, it goes to say that if you're happy, happy happenings are coming your way. That's a fair assumption.

But which came first? The chicken or the egg? I mean, which came first: the mood, or the event?

It boils down to this (I'm not talking about chickens any more): Which did come first?

If the mood came first, then the scenario is likely that you're happy, so perceived said event as great.

If the event came first, then the scenario is likely that something good happened, which instituted a happy feeling.
From here it's confusing. At this point it can be either or through the next hundred events.

Thanks for reading

--Jim Blow Out

Thursday, December 17, 2015

Ellipses

"Ellipses represent something lost; unknown to mankind. Only to be guessed at..."
--Jim Blow

Ellipses trail off...

The dot...dot...dot...that piques curiosity, and hints to readers that something is not being said.

Something has silenced the speaker.

Ellipses evoke emotion. The character has learned something that has caused his lips to stop forming language.

They can show speechlessness, when they stand alone in quotations, unaccompanied by any other words or symbols.

So what to do about Ellipses...?

They lose information and cost understanding...

An idea...

A thought...

A dream....

Ellipses. Coming soon....

Thursday, December 3, 2015

FORTUITOUS FRUITS

Why is it kids won't eat their fruits and veggies? We'll answer one of those right now!
Welcome to English coming at you live with Jim Blow.
Today we'll look into the phenomenon that is: Why kids won't eat their fruits.

Fruits are hard to eat! They taste dandy and all, but they're so much work!
Lets look at 4 specifically.

The banana: Always bruised and mushy! And seriously, that peel? If it doesn't open first try, it's going back on the shelf. And what's this cabooti about it opening better bottoms up? Honestly. Way too much work to differentiate one end from the other, deal with wiggling it open, and then smoosh it between your fingers. Gross.

The orange: The peel takes an hour to penetrate, and for what? Mom asks why the orange is sitting there half peeled, and uneaten. I'll tell you why. I got bored. The orange takes too much valuable time for a very little amount of profit.

The pomegranate: Yum! I love this fruit so much, but only if I don't have to peel it! Similar to the orange (except the peel is bigger!) Grrr! And if this problem isn't enough, how do you eat it? There are so many ways. You can eat it like an orange, spoon it into a bowl, eat it like a melon, or whatever. That's a lot of thinking to try to figure out how to eat it, after laboriously opening it.

The berry: Rasberries, Blackberries, Strawberries. Solid. Straight off the vine. The only problem here is the long hours walking the rows to pick them all, and you still don't actually get them all. Then there's the ones in the dirt. (tear). And after you have to decide to freeze, jam, fresh, or whatever.

That's why we don't eat fruits, mom.
Thanks

Saturday, November 21, 2015

Typewriter, Man

This week I got a phone call from this Jamaican fella.

What happens when Jim Blow gets a Bunk Call?

Me: "Hello?"

Him: "Yes, hello Man."

"How can I help you?"

"I call about computer."

"Pardon?"

"The Microsoft, Man. It is bugged."

"How do you mean?"

"Your Microsoft is doing da stuff without the knowing of you, man."

"I don't think so."

"What?"

"You see, I have a typewriter."

"You have da what, man?"

"A typewriter. I don't think it has Microsoft on it."

"No! I'm not talking about your typewriter, man. I'm talking about--"

"Actually, I don't think my typewriter even has internet connection..."

"Eh? What? No! Man, I talk about da computer and da problems."

"My typewriter is just fine thanks."

And then he hung up.

Saturday, May 23, 2015

Write of Way

Author's note: Where have I been? Sorry for the inconvenience of taking a few weeks off, but it looks like nobody missed me... Yeah, I had a break down. Nobody comments on my blog. Not that they should...buy hey! Come one people! Anyway, lets talk about what books to read. There are tons.
                                                                                                                                        --Jim Blow

How can you decide what book to read? There are sso many! There are over 129,864,880 books in the world! How can you decide which one to read. Lucky for you, there's a code!

Jim Blow's Guide to Deciding What to Read. or JBGDW

1. What's the cover like?
People say to never judge a book by its cover, but that's a lie. Every time you grab the book, you'll see that cover. What thoughts will it arise in your mind? Do you really want that?

2. Is it an intriguing title?
Lame titles make you gag. You don't want to be seen reading something stupid. When people ask you what you are reading, what are you going to say? Uh huh.

3. How are the illustrations?
First off, do you want illustrations? Next, if there are illustrations, are they well done. How frequently do they show up throughout the book? Remember, pictures of scenes/people may enter your brain. It limits your creativity. No longer will you imagine the character how you wanted to, but now you see them as the illustrator saw them. (Movies have the same effect).

4. Who wrote it?
Some authors, frankly, just can't write. They really are awful at it. If the illustrations, cover, and title are excellent, great! Who wrote it? If it's the author of another book you read--one you hated--do you really want to read this one?

5. How long is it?
Are you in the mood for an hour-long read, or a month-long? How fast can you read? This is important to look at. If your book report is due in a week, don't check out a book that will take you a year to finish.

6. Is there a movie?
Have you seen the film-version? Not much can be judged from the movie. If the movie is awful, the book could be good. Or vice versa. If you saw the movie, the actors will be how you picture the characters in the book.

7. What's on the first page?
Take a peek into the first couple pages. You should get hooked on it. Is the opening interesting, or boring? Likely, the first page or so will give you a feeling for the author's writing style, and what the book will be like.

8. How's the author's bio?
Flip to the back cover of the book, inside flap. There should be a picture of the author, and a short biography about him. Read it. Did he write it personally? Or did somebody else? Now ask yourself if it's funny, or if there is something in there that catches your attention, like where he grew up.

9. What's the book about?
Another way to find out what the book is about is to flip to the inside of the front cover. A short synopsis can be found here. Spoilers. Does the plot sound entertaining?

10. Is it a pop-up?
Now ask yourself if it is a pop-up book. If it is, disregard rules 1-9. Read the book no matter what. It's a pop-up for crying out loud! Awesome.

11. THE UNWRITTEN RULE, which I'm writing down so...
If the ten rules are too much to remember, and you don't actually care, follow my one solid guideline. Only read Jim Blow's stuff.

Just remember, when trying to decide what to read, there's a system about it. Some books take priority over others.
Just remember, JIM BLOW HAS THE WRITE OF WAY

Saturday, April 11, 2015

Writer's Block

JIM BLOW’S TRIP TO THE  DANGER ZONE:   Writer’s Block uncovered!


You may notice that WRITER'S BLOCK is a plague. It attacks writers day in and day out.
Although I haven't solved this problem, I came up with a graph to show it.
Maybe someone else will discover my work, and carry it on to something better.


When you start a story, you want to start with as wide a base as possible. Imagine there are two lines. The more space between the lines, the better. The amount of room between the lines represents the number of possibilities. The more you reveal, the less room between your lines. As more is revealed, limits are set on your story. As more and more plot occurs, less and less other things can happen.
Example: You start a story. The base is enormous, so anything can happen. Then you reveal the characters. It is a story about secret agents. The base begins to close up. Magic and things like that are now not possible. It is placed on the outside of your base. Here are two lines.
LINE 1 (wide base) --It was a dark and stormy night. (See, anything can happen from here. This is a very wide base.)
LINE 2 (small base) --The elves kept to themselves, they couldn’t allow the wizards to find them. (See how this is a smaller base? Limitations are set, and things are revealed. Though the base is still pretty big, it is smaller than the base in LINE 1.)


Eventually you’ll have revealed so much that the two lines representing the two sides of your original base now touch. When the two lines touch, several things can happen.
  1. WRITER’S BLOCK--You have so many limits, there are only few things you can do. When there are only a number of options, you don’t always discover one. Thus the story is deserted. An awful circumstance. 90% of writers leave one or more stories deserted due to this awful plague.
  2. DISCOVERY--One of the very few options are discovered, so a line shoots out from the touching point. The writer can walk this line. The line of few solutions. The writer must be careful. If even one wrong word is written, the writer will fall off the line, and eaten by category 1. Category 2 stories are often lacking because the author had put himself in a corner so to speak.
  3. ANXIETY--The writer will hit the touching point and freak out. They may go back through the story and change things, in a futile attempt to widen their base, and avoid the touching point. Or the writer will hit the point and freak out, ending the story abruptly, and in a lame way. In rare cases the writer will even have a heart attack.
  4. CHEAT--The writer may get confused, not sure what to do, and step outside the line. If the writer is writing about secret agents, and comes to the touching point Climax, they may abandon hope and suddenly a wizard will appear and help. The wizard exists outside the lines, and the author just ruined the book unknowingly.
  5. SUDDEN DEATH--The writer will freak out and a natural/unnatural disaster will kill everybody. This can happen due to category three or due to a sudden homicidal feeling in the writer. If written correctly category 5 can actually end up all right.
  6. GOLDEN--This happens in extremely rare cases. An author will put himself in a corner, or simply not know what to do next, then suddenly have an epiphany. The writer will find a million dollars in the corner he’s trapped himself in, and an escape from the corner in a limo, riding off to the sunset to stay in a mansion on the coast of Italy... The writer optimistically finds a solution to Writer’s Block, and it’s so perfect.
  7. LOOSE ENDS--To avoid that tragic Touching Point in the graph, some people try to escape it. When a writer ends the story before the Touching Point, then that means there are loose ends, and other unsolved problems. If there is a sequel, these unsolved problems are okay.


TOUCHING POINT--The Touching Point should occur at the very end. Everything’s wrapped up neatly, and it all works out. However when the Touching Point occurs earlier, it’s more of a problem. The ideal spots in a story for the Touching Point are The End, The Climax, or in rare cases, The Beginning can be a great Touching Point.


Solutions to overcome Writer’s Block. (These don’t always work, and they probably won’t all help. But find one that works for you, or come up with your own.) Each of these work for me, some more than others, so I hope they help you too. Since I’ve tried all these, you might think I have problems...a little bit, yes.
  1. BATHROOM--Although this sounds weird, it isn’t. This is the one that helps me most. Just being in the bathroom and staring at the textures of the wall and floor gives me the most absurd (yet helpful) ideas ever!
  2. WALK--Hey you! Go for a run. Clear your mind. Nobody likes to run. Not intentionally at least. However, it can help. I don’t particularly like runs, so instead I pace around the house. People think it’s weird, and you may end up with a psychiatrist, but at least you could get out of Writer’s Block! Plus the psychiatrist could give you ideas, especially by analyzing your dreams and putting new crazy things in your head. Because there aren’t enough crazy ideas there already… Pacing helps me to clear my mind, and it doesn’t feel like I’m having to go for a run. Try it!
  3. ACTING--Although it can be embarrassing, and you may never hear the end of it, it too can work for you! (And not just because it rhymed). Acting is where you take what has happened in the story thus far, and go act it out. (Yes, you can dress up). Once you’ve acted out everything up to where you had Writer’s Block, you may find yourself still playing. That’s good! Keep track of what you do while playing after you’ve passed that point in the story. Then write what happened into the story. Congrats, you just got passed Writer’s Block!
  4. PLAGIARISM--No, this doesn’t mean you should copy somebody else’s idea or something. This is where you watch a movie or read a book. Something that happens in either of these cases may inspire an idea. Hard work, huh?


RE-Extension: Can the graph be reopened? The answer is Yes. If the graph is close to the Touching Point, you can open it back up. The way to open it back up is by introducing a new character, plot twists, etc. Re-extending your graph may sound swell, but you’ll hit the Touching Point eventually. All Re-extension will do is prolong the inevitable.

      Star (Story’s end) is reached. Writer’s           *
      Block is overcome.                                            I
                                                                                 I
                                                                                 I             Author chooses category 2
                                                                                 I                  Author hits Writer’s Block
                                                                                I I
                                                                             I      I                      Climax approaches.
                                                                          I           I
            Hero escapes.                                  I                  I
                                                                I                             I
           Hero is captured.                     I                                    I
                                                       I                                              I
                                               I                                                            I
                                        I                    More is revealed                      I
                                   I                                                                               I
                              I                                                                                        I
                         I                              Slowly the plot thickens                             I
                    I                                                                                                          I
               I                                        The wizard’s evil.                                                 I
         I                                                                                                                                 I
 I             Now we reveal that there is a wizard that makes it so it’s always sunny.           I
I                                                                                                                                               I
I                                                      not much happens                                                            I
I                                                                                                                                                  I
l
I                  For a Wide Base, lets start with this sentence: It was  sunny outside.                 I

Saturday, April 4, 2015

Spamediting

Author's Note: There are many strange phenomenon in our Fabular World. Even more strange, are the things that happen in writings. One great example: Writer's Block. This is a truly intriguing subject that has baffled man for years. Many have attempted to map out the strange condition, but all has been to no avail.
Although Writer's Block is extraordinary to research, something else comes to play today in my mind. What comes to mind? Spamediting. Don't bother looking it up, I gave the name myself. We will talk more about this strange phenomena another time, but for now, enjoy this sample.
Jim Blow's Definition of Spamediting: Editing a book by randomness, not actually helping along the writing and punctuation, but commenting strange posts at every turn.
Don't like my definition? Read the example and make your own comment on what it should really be.
--Jim Blow


Spamedit Case Study #1

The Strange Case of Arthur Dittle

For time's sake, I'm only showing parts of this story--the parts with edits and Spamedits alike. Enjoy.
In addition the edits are all in blue writing.
The sun was just coming up over the horizon, and it felt nice and warm. Mr. Dittle walked with a skip in his step down a very nicely made pathway. There were beautiful birds flying all around him chirping lovely songs. Suddenly he thought he heard voices. They were coming from all around him. Then there was a horrible noise. It was loud and awful. It was as though a thousand voices in a choir all trying to sing at the same time, and, to say it in the nicest way possible, they completely and utterly failed. I don’t know if you’ve ever been to an opera in which the main character simply can’t sing. It’s not entirely that they are presently incapable, merely that they can’t. At least, not well. Generally, you’re not sure whether the noises they’re making are supposed to be mimicking a dying cat screeching across a blackboard, or if that’s just an accident. And then you have to wonder if the director is deaf or something. Then you want to go find them and sign to them after the performance, but that doesn’t work cause they’re dead. Probably died cause he wasn’t actually deaf, and it was just too horrible. Then you realize that the man next to you is also dead. Awkward. Hopefully they won’t blame it on you. That would be awkward. On the plus side, you know you can dump all of your bodies in operas where this person is singing. Nobody will ever know. This is the sound his ears were suffering from now. Mr. Dittle jammed his fingers into his ears in an effort to drown out the awful sound. Then, just as quickly as it came, it ended. He stood up from his knees and let his arms drop down to his side. The beautiful birds and the luscious grass was gone. Instead he now stood in a wasteland. There were dead trees where living ones had stood just a few seconds earlier. The wonderful path on the wonderful grass changed to dirty muck, and moss-covered cracking stone.
Mr. Dittle looked around him at bones of unfortunate animals, and tumbleweed-type bushes flying by in the light wind. Very much confused, he stood still and silent, not daring to lift even a finger. Then a voice came from behind him. An old, yet small, bear stood at waist height, staring up at him from under large bushy eyebrows. Yay! I don’t suppose he’s a yellow bear with a red shirt? And does he have friends who are an owl and a pig and a donkey and kangaroos and tigers with bouncy tails? Also a rabbit. Some people eat rabbits, you know. I think it’s actually pretty racist, just calling them “Rabbit” or “Owl.” Like they don’t even have names. Just species. People get in big trouble if they just call someone “White boy” or something like that. “Hey you. American. Get over here.” The bear grunted and began to speak. “You don’t look as heroic as Nocar Oh poor him! He’s the only one in the whole Hundred Acre Woods without a car. Sad day. Well, at least he has a name. described. You are just a miserable old human with a matter of months left in you.” The bear said sternly in his large deep voice.
Mr. Dittle was too confused to answer. He just stared at the talking animal. Then Mr. Dittle came to. “What is this place? What just happened? Who are you? Who’s Noc-whatever?” Now he’s the NOC list. Jason Bourne will be very mad at you. He spent a whole movie getting that back. Watch out. He will kill you with some pocket lint.
“All in good time. I am Chief Yelzirg. Nocar is the small raccoon you saved. Does he not have a car because all the other reindeer laughed and called him names? Come, I will show you the camp. If you are the Warrior, then we must keep you hidden, and safe.” Keep it secret. Keep it safe. Gandalf would be sad you said “hidden” instead of “secret.” Tut tut.
Mr. Dittle stood blinking for a second before nodding slowly. Yelzirg gestured for him to follow before turning and marching off into the distance. He walked for hours behind the old bear. Finally, Yelzirg stopped and Mr. Dittle fell over, exhausted. And this poor old man isn’t very good at balancing. He probably only has one leg. Meanie. Why would you make a character with only one leg? You’re dooming him to a life as a dude with one leg. It’s like being a pirate, but not having any of the benefits of being a pirate, just the disabilities. How would you like to only have one leg? I’m sure Jason Bourne could arrange for that. If you keep NOC, you’ll find exactly what that’s like. Yelzirg rolled his eyes, but it was hard to tell that he was doing so from behind his large, hairy eyebrows. In his big booming voice, he made a big empty sound that echoed several times before stopping abruptly and changing to a clanging, which vibrated for several seconds before making a clicking noise and ceasing to make any further noises. What? No whirring? Or beeping? I guess it’s not a starship, is it? Glad I got that out of the way by this point in the story. Mr. Dittle Hey, diddle diddle, the cat and the fiddle, the cow jumped over the moon. The little dog laughed to see such sport, and the Pooh ran away with the NOC. On orders from the wizard, of course. But not the Doctor. Sometimes a wizard comes flying in a blue helicopter and he shows me a film just for free, and then he gives me five hundred popsicles and say, “Happy birthday”! sat looking this way and that, trying to find where all the noises were coming from. Then the desert in front of him shook and many trees appeared with wooden bridges between them. He rubbed his eyes and blinked several times. Yelzirg helped him to his feet and together they walked into the city. Once they were safely on a wooden platform, Yelzirg yelled once again in his deep booming voice and it echoed all around. All the surrounding desert shook once more in a similar fashion to before and their surroundings became very faint.
“Protection spell.” Chief Yelzirg said, before Mr. Dittle could ask. “We can see out, but without the code, you can’t see in.” Is it the codes on the NOC list?
Mr. Dittle shut his mouth and nodded as if to say “oh yes of course, everyone knows that.” Well, I certainly did. Duh. Why else? Come on. It’s not like this is my first story about racist bears and one-legged men stealing super top secret lists that get wizards mad at him. How uncultured do you think I am? I mean, come on. Do they have to have cheerleaders at a track meet? (10 points for naming that movie) Oh, hey. You’re Violet, right? No, I’m blue. I was purple before, but now I’m back to blue. Duh. Mr. Colorblind. At least you have two legs. Mr. Dittle continued to follow the bear up and all around the treetops. He crossed rickety old wooden bridges that felt like they would fall out from under him, Shrek knows about those bridges. We talked about parfaits in English today. And I almost said something about them to Alina. But then I didn’t. Everybody loves a parfait. Parfaits have layers. Cakes have layers. and he walked on wooden sidewalks that circled each treetop. Like in Lothlorien or Endor? Galadriel is in charge of Lorien, in case you forgot. Not Thranduil or Elrond. Silly Jim. Trix are for kids. Or maybe they’re for rabbits...I’m not very good at remembering these things. Hey, that reminds me of how RACIST your story is. Also, I learned in English that we’re all just racist against spiders. Like dragon-racists, but with spiders. Just cause they have eight legs and a bajillion eyes doesn’t mean you get to kill them. Maybe I should kill you ‘cause you look funny. There. I put an apostrophe in front of “cause.” Aren’t you so proud? Little huts were made out of the trunks of trees, and various animals sat in the houses staring out at him, wide-eyed. Mr. Dittle gave small waves to all of them, but only got blank stares in return. Were they princess waves? parade waves? ocean waves? sound waves?
Mr. Dittle didn’t exactly watch where he was going and ended up banging his head on the door frame of a rather large hut. Don’t be mean to the poor man. He only has one leg. You would run into doors too if you only had one leg. Well, maybe not. You’re a little short. Mr. Dittle stumbled backward and grabbed his head with his hands. Well, at least he has two hands. Unlike the Skywalkers. I wonder, does Leia ever lose a hand? Well, I guess Padme never did. Or maybe they donated her body to science and now she’s a robot. Or Harry. Yelzirg shook his head and disappeared into the enormous hut. Then he goes, “Tut, tut, Mr. Dittle. Mind the door, Mr. Dittle. Watch your head, Mr. Dittle. Don’t trip over your leg, Mr. Dittle. Notice how I just said ‘leg’ instead of ‘legs’? Yeah, Mr. Dittle, it’s cause I’m discriminating against you based on your handicap. But at least you have a name. Poor rabbit. Neither a name nor Trix. Also, a potted plant. Silly Mr. Dittle. Sillly-willy Dittly-wittly.” Mr. Dittle ducked Quack under the door’s frame and found himself in a large room. There were wooden logs for chairs and only two stumps left. Tree stumps or leg stumps? Mr. Dittle took a seat on one of them and found it surprisingly comfy. Eeeewwwww. Comfy body parts. Severed, crippled body parts. I wouldn’t sit on a leg stump. That’s worse than eating sardines on an executive line of used toilets. Suddenly all the other animals in the room began grunting and pointing at him. It’s cause they think it’s gross, too. Yuck. He stood up and switched seats and their grunts stopped. Called it! Now he’s not on a leg anymore. The seat he now sat in was not as comfy, but was still pleasurable. Mr. Dittle looked up from the floor to see all the other animals standing. Mr. Dittle stood also but with no idea why, that is until a fox entered wearing a purple cape and brown boots. The fox took a seat on the last stump, and as he did everyone else sat down too. Yuck. Now he can eat his chair. Nasty. Nasty town. If I lived in a town called Nasty, I would leave. Or maybe not, cause then I could just say “Nasty” all the time, and I could say “Nasty town” all the time.
“We all are aware why we are here, of course? That is, except for you, Mr. Dittle.” The fox said his name as if it were a cuss word. Yay yay yay yay! You used “were” properly! I’m so proud. Well, relatively proud. Not much, actually, but much more than I was before. “Now let us move on to role. Chief Yelzirg the bear?” Eheheh. Mr. The Frog. Oh! Is Kermit here? Yay! Well, they’re in a forest. Oh, he could be a tree frog instead of a swamp frog. Or maybe tree frogs live in swamps, too. I don’t know.
“Here!” said Yelzirg, standing up and raising a paw.
“I see. Commander Esome the rat? Commander Trutly the turtle? Captain Anton the anteater? Captain Nocar the raccoon? General Frost the frog? Are we frosting poor Kermit? Oh no! Kermit doesn’t like frosting. He’s allergic. Just like all foxes are slightly allergic to linoleum. Kind of racist here, too, aren’t they? It’s like saying, “Jared the white? Scott the black? Bryan the Asian?” RACIST. Then there’s Mr. Dittle, and myself, the Great Leader Master Trox!” When Trox said his own name he stood and lifted his boot onto his chair, striking a glorious pose. The Cheerleader? Is Trox a Master of photobombing? Hey, Trox sounds like Trix. It’s a good thing he’s not a rabbit. Also, he’s at a track meet.
All the other animals in the room held their fists (or paws) in the air and shouted, “Huzzah the Glorious Master Trox!” Oooh, he’s glorious, is he? Is he also fabulous? Like Margaret and Wibbily? Maybe Margaret and Megan are actually the same person. You should change Megan’s name to Margaret, and then Mr. Dittle’s first name can be Wibbily, and they can be fabulous together. OH, and maybe that’s why Trox hates him. It’s because he’s jealous of how much more fabulous they are than him. Maybe he had Margaret/Megan killed because of his jealousy! Poor flowers. Dead just like Mrs. Dittle. Also Boromir. But not dead like Gandalf, because he comes back.
“Huzzah me!” Master Trox said, withdrawing his sword and pointing it in the air to make his pose just that much cooler.
After a short while of huzzahing and poses, everyone sat back down. Master Trox sheathed his sword and twirled his whiskers with his finger, as if they were a mustache. Mr. Dittle was very much confused. He wondered how one fox could be so self-absorbed! Pushaw. (Pishaw) It’s cause he’s so happy that he finally can compete with how fabulous Mr. Dittle is. Master Trox began to speak again. “So. I am told the ‘Warrior’ one is this--no offense--old, stinky, scrawny, miserable, crippled, racist human. You’re even racist against spiders. I can’t believe you. They wouldn’t hurt a fly. Well, they do. But not maliciously. Well, some of them. But nothing much bigger than flies. Well, except for the really big spiders. They kinda scare me. A lot. Now I need some dry pants. For Christmas? Narrrgh.
Mr. Dittle was pretty sure he resented that. He had just been insulted by a fox, and was not sure how to proceed, or what to say. Hey, at least he knows what the fox says. Oh, maybe the fox actually just needs to be sort of a “fantastic Mr. Fox,” and he’s not very good at spelling, so he thinks “fantastic” and “fabulous” are the same thing. Foxes aren’t very good at spelling, are they? Well, you wouldn’t be either if you had paws. Stop judging. He just needs a hug. Like Loki. But not like Sauron. If you hugged him, you would burn up and die. Also your soul would be sold to the Dark Lord. Gingers and Scott would be safe. Also cats. Ginger cats named Scott. Maybe Sauron’s real name is Scott. And he was a ginger cat before he was a great lidless eye wreathed in flame. You know who else is a dark lord? Voldemort. Voldemort, voldemort, voldy-voldy-voldy-voldemort. Ahahaha I just named He-Who-Should-Not-Be-Named. Maybe he shouldn’t be named because he’s offended that everyone calls him “Voldemort” instead of his real name, “Scott.” Like, really. Who names their kid “Voldemort”? Child abuse name. Obviously, everyone in school was just jealous that he was so much ahead of them, so they made up a mean nickname for him. Maybe he just needs a hug, too. And a nose. And hair. Well, lots of people need hair. Mr. Dittle probably needs hair, too. Maybe I’ll go add “bald” to the fox’s list of insults. He decided it was best to just not talk, and did so. He listened intently for the next few minutes as Master Trox went over all that had happened. Apparently the trolls used to not bother the animals. Then one day the Troll King invented a machine that could literally suck life away. The Troll King had used his machine all over the land. Trees died, animals died, and all other life that hadn’t gotten away, perished. Every animal that had survived got away to The Treetops, which is where Mr. Dittle was now. Master Trox explained to him that the trolls had not yet made adjustments to the machine to take away human life, and that is why a troll had invaded his house. The troll’s job was to take a human sample and bring it back to the Troll King. When Mr. Dittle had been standing out on the path by the grass, and he heard a loud awful noise, that was the machine. Master Trox had sent Chief Yelzirg to fetch him, because Captain Nocar had said he was the Warrior.

Author's Note #2: If anything in here was offensive, I'm obliged to apologized. (rhyme). Thanks for reading!
--Jim Blow